Mixes: The Karori Freestyle Project

Microsample. And. Create.

Set Artwork.

It's quite dark this one.

The Karori Freestyle Project was composed in my Espin Crescent flat, sometime in late 2009, and involved me layering live field recordings into Live 8 via a Sony PCM-D50 and an Akai APC40, then disassembling, reassembling and sequencing it into what you're hearing now.

It's a momento to the ambient adventures of living on the edge of Wellington's biggest bird sanctuary, during an otherwise dark and uninspiring Wellington winter.

The Karori Freestyle Project runs for 80 minutes, and gets you deeper with:

clanging finger breaks,
sawing, wooden effects,
techno bleeps,
scrambled beatz,
bass stabs,
warped loping dubstep basslines,
lots of delay,
silly lyrics, weird beatboxing and oral FX,
humming and whistling,
ambient avian melodies,
warm house grooves,
and the usual handful of unintended live mix train wrecks,
all drenched in wind noise,
the hum of my laptop fan,
and distortion as I ride the levels too high.

It's 100% natural electronica, created from the ambient sounds of Wellington's mistiest suburb, Karori,
plus one very addictive buddha machine,
and a wooden tree frog..

(Is it in the back of your head trying to get out?)

Mixed 100% live at home, on the evening of Monday, 23th May 2011
using Ableton Live 8.2.2,
an Akai APC40 running NativeKontrol apc-VC1,
and Native Instruments Maschine, running a custom MIDI map courtesy of the awesome Controller Editor
and of course the obligatory Red Bull
and some yummy organic chocolate :-
aaand a brand new Focusrite 8i6 Scarlett, as my M-Audio Fast Track Pro couldn't handle the mix :-(.

Composed and mixed loud on headphones, and so probably best enjoyed loud on headphones too. :-)

Enjoy..

Download all 14 tracks in MP3 format (152MB .zip)

Tracklisting:

1
0:01:12

Love, love, love... (sigh)

2
0:04:43

Dropping the initial illusions of ambience, lazy finger beats drop in, accompanied by a warping bassline, noisy birds, and some subtle pads.

3
0:06:55

The beat fest continues, with alarm bells, a disjointed bassline, and more finger breaks. A break down at the halfway point provides a brief respite, before a loud stabbing bassline is joined by some mistimed beatboxing, and clanging delayed beats.

4
0:05:04

A wooden frog and a demented Dan team up with some simple pads to get inside your head.

5
0:05:21

Getting deeper with some sort of dark techno, courtesy of undulating bassline, vocal beats, fluttering noise stabs, a thumping 4-4 beat, and a cold, cold wind.

6
0:10:16

A bassline build-up drops to something ratcheting, rolling beats, a stepping bassline, and that lovely buddha machine. Then there's more beatboxing, and several playful leads are joined by instructions to 'Sample, microsample and create'.

7
0:02:09

While boy racers idle at the lights, heavy revolutions play out in the engine bay.

8
0:05:20

You can go a bit crazy living in Karori. That's my excuse anyway. This one has a slow bounce to its step, with delayed beats, a flutey lead, housey vocals, more vocal beats, and a maiden voyage by the dancing probe.

9
0:10:01

Enjoying the endorphin rush of a healthy ride home, via the scenic route: Boulcoutt, Everton, Clermont, Salamanca, The Botanic Gardens, Upland, Chaytor, Birdwood, Ponsonby, Espin.

10
0:06:59

Neon running lights leave glowworm trails as the boy racers disappear into the depths of Karori. Noisey washes, a simple break, deep basslines and some lush pitched stabs and keys.

11
0:06:01

Boom. Boom. Boom. Boom. Powerlines draped across the valley carry encoded messages while freaky bird cries compete with weird vocal drops to create a sense of foreboding.

12
0:01:33

Looped ambience, deep murmers, and stripped buddha stabs create slow orchestral manoeuvres for those dark winter days.

13
0:07:55

The finger beats are back, with some rubbing, sonar drops, and positive affirmations, before the buddha stab (that I will never tire of) drops with one of those cheesy slow basslines that always seem to come in near the end of a mix.

14
0:06:26

Outro with guitaresque loop, the wind in the trees, analogue stabs, then humming and some corny whistling. Just because I could.

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